Teaching Shakespeare to ESL Students - The Study of Language Arts in Four Major Plays
Leung Che Miriam Lau, Wing Bo Anna Tso
Springer Singapore, 2017
Adapting Shakespeare in Hong Kong: Tang Shu-wing's Macbeth in 2016 and 2019
Miriam LAU
Shakespeare Jahrbuch, vol. 158, German Shakespeare Society; Kr{\"o}ner Verlag, 2022 Jan, pp. 136--154
The English Renaissance and the Far East: Cross-Cultural Encounters by Adele Lee (review)
Miriam Lau
Journal for early modern cultural studies, vol. 20, University of Pennsylvania Press, 2020, pp. 119-122
Caesar and Lear in Hong Kong: Appropriating Shakespeare to Express the Inexpressible
Miriam Leung Che Lau
Shakespeare Survey, vol. 73, 2020, pp. 93 - 106
Adapting Hamlet in Colonial Hong Kong: Richard Ho's Hamlet: Sword of Vengeance
Miriam Lau
Shakespeare Jahrbuch, vol. 156, German Shakespeare Society; Kr{\"o}ner Verlag, 2020 Jan, pp. 72-88
The Adaptation and Appropriation of Japanese Kimono in Hong Kong Society
Miriam Leung Che LAU
Working Paper Series, No. 9(4), 2016, p. 24
Effects of Chinese opera on the reproductions of Ibsen's plays
Miriam Leung Che LAU
Nordlit, Septentrio Academic Publishing, 2015, pp. 315-326
A Fusion of Small and Big Times: Chinese Shakespeares in the Universities Shakespeare Festival
Miriam LAU
Shakespeare Review, vol. 50, The Shakespeare Association Of Korea, 2014, pp. 881--894
King Lear (dir. Tang Shu-wing, Hong Kong, 2024)
Miriam Leung-che Lau
Alexa Alice Joubin, Ema Vyroubalová, The Palgrave Encyclopedia of Global Shakespeare, Palgrave Macmillan, Cham, 2025 Sep 25, pp. 1-5
Beyond the Tarantella: Re-visualizing Pain/Pleasure in Henrik Ibsen's A Doll's House
Miriam Lau
Jian Sun, Frode Helland, Liang Chen, Jianxin Zhu, Ibsen Across Cultures, 1st, Fudan University Press, 2012 Dec, pp. 233--245